Films I like

caballero reyes said:
"DARK CITY" Dir. Alex Proyas (USA) 1998. This film was released before "MATRIX"

There is also The Thirteenth Floor (1999)

Computer scientist Hannon Fuller has discovered something extremely important. He's about to tell the discovery to his colleague, Douglas Hall, but knowing someone is after him, the old man leaves a letter in his computer generated parallel world that's just like the 30's with seemingly real people with real emotions. Fuller is murdered in our real world the same night, and his colleague is suspected. Douglas discovers a bloody shirt in his bathroom and he cannot recall what he was doing the night Fuller was murdered. He logs into the system in order to find the letter, but has to confront the unexpected. The truth is harsher than he could ever imagine...
 
caballero reyes said:
"DARK CITY" Dir. Alex Proyas (USA) 1998. This film was released before "MATRIX"

Dark City is a 1998 neo-noir science fiction film directed by Alex Proyas. It was adapted from a screenplay written by Proyas, David S. Goyer and Lem Dobbs.

A man struggles with memories of his past, including a wife he cannot remember, in a nightmarish world with no sun and run by beings with telekinetic powers who seek the souls of humans.

Following its screening in wide release, the film was nominated for the Hugo and Saturn Awards. With the help of Roger Ebert and home screenings, the film has since become a cult classic. In the years since its original theatrical release, critical and scholarly reviews have reevaluated the significance of the film. A director's cut was released in 2008, restoring and preserving Proyas's original artistic vision for the film.

http://www.youtube.com/watch?v=vqIFFf8hxR0&feature=related

Very good movie indeed!

From Wikipedia:

Warning: SPOILER

They find and confront Dr. Schreber, who explains that the Strangers are endangered extraterrestrial parasites who use corpses as their hosts. Having a collective consciousness, the Strangers have been experimenting with humans to analyze their individuality in the hopes that some insight might be revealed that would help their race survive. Schreber reveals Murdoch as an anomaly who inadvertently awoke during one midnight process, when Schreber was in the middle of fashioning his identity as a murderer.

[...]

In the ensuing fight, Bumstead, along with one of the Strangers, falls through the hole into space, revealing the city as an enormous space habitat surrounded by a force field.

[...]

After learning from Dr. Schreber that Emma's personality is gone and cannot be restored within her body, Murdoch utilizes his new-found powers through the Strangers' machine to create an actual Shell Beach by flooding the area within the force field with water and forming mountains and beaches.

I think that some of these can be seen as great analogies to our current reality at some point. Very interesting.

Peace.
 
The Running Man, directed by Paul Michael Glaser (USA) 1987

From Wikipedia:

Warning: SPOILER

By 2017, the global economy has collapsed and American society has become an totalitarian police state, censoring all cultural activity. The government pacifies the populace by broadcasting a number of game shows in which convicted criminals fight for their lives, including the gladiator-style The Running Man, hosted by the ruthless Damon Killian, where "runners" attempt to evade "stalkers" and certain death for a chance to be pardoned and set free.

Eighteen months later, Ben Richards, a military pilot who was convicted of a massacre (in the process of suppressing a food riot in Bakersfield, California) which he actually refused to participate in, escapes from a labor camp with other inmates and flees to a shanty town on the outskirts of Los Angeles. Declining an offer to join a resistance movement, Richards instead seeks shelter at his brother's apartment. He finds it is now occupied by Amber Mendez, a composer for ICS, the network that broadcasts The Running Man. Richards attempts to flee to Hawaii with Amber as a hostage, but she alerts airport security and Richards is captured and taken to the ICS studios. Killian coerces him to compete in The Running Man with the threat that if he declines, his two weaker escapee friends—Laughlin and Weiss—will be put on the show instead. Richards complies, but as the show begins, Killian reveals that Laughlin and Weiss have been enrolled as runners anyway.

[...]

Meanwhile, Amber begins to question the media's veracity after watching a falsified news report on Richards' capture. Amber discovers the truth about the massacre, but she is captured and subsequently sent into the game zone, where she encounters Richards and the others.

[...]

Back at the ICS studio, Killian sees Richards' popularity growing, with viewers betting for Richards to win instead on the stalkers. Off-camera, Killian offers Richards a job as a stalker, which Richards furiously declines. As the next stalker, "Fireball", pursues Amber and Richards into an abandoned factory, Amber inadvertently finds the charred bodies of the previous season's "winning" (and, supposedly, pardoned) runners. Fireball attempts to kill Amber, but Richards rescues her and kills Fireball with his own weaponry. Running out of options, a frustrated Killian uses computer-generated imagery to fake the deaths of Richards and Amber in the final match of the episode, a falsified battle against retired stalker "Captain Freedom".

[...]

Richards leads the rebels to the ICS studios where they seize the control room, allowing the resistance to broadcast unedited footage of Richards' part in the Bakersfield massacre. Richards then heads to the main studio floor, shocking the live and at-home audiences who had watched him supposedly die. Amber encounters Dynamo, but she kills him when an errant gunshot sets off the sprinkler system, electrocuting him when the water hits his electrically powered suit. Richards confronts Killian, now shamed and disgraced before those watching and desperately attempting to prove his point by explaining that he had created the show for huge ratings and to appease American viewers' love for television, action and violence. Ignoring the excuse, Richards sends Killian into the game zone aboard a rocket sled, which flies into a billboard featuring Killian himself and explodes, killing him instantly, much to the delight of the live television audience. The film ends with Richards and Amber sharing a kiss as they walk off the studio.

Although this movie is pretty violent, I think it still contains a lot of valuable analogies. It really shows how the state can control the masses via mass-medias and television shows. Thay can lie all they want, people remain asleep, never question anything, blindly beleive all the ICS says and just basically "enjoy the show" without questionning it. They also accept that police state convincing themselves that it's for 'their protection' and that it is totoally normal.

I haven't read the book on which this movie is based but my guess is that it's even better and contain even more information.

Peace.
 
" THE SPANISH PRISONER " Dir. David Mamet (USA) 1997.

Writer-director David Mamet crafted this unusual, Hitchcockian thriller in which no one is who they appear to be. Campbell Scott is Joe Ross, who has just created a "process" that stands to make his company and his boss, Klein (Ben Gazzara), millions of dollars. At a clandestine meeting in the Caribbean, Ross discusses the details of the process with company executives. There, purely by chance, or so he believes, he meets the wealthy, enigmatic Jimmy Dell (Steve Martin), and the two strike up an unusual friendship. Dell informs Ross that he's naïve to believe that his company will fairly compensate him for his valuable work. Upon returning home, Ross becomes paranoid that Dell is right, and he takes steps to protect his invention, becoming unsure if he can trust Klein or even his own love-struck assistant (Rebecca Pidgeon). When Ross discovers that Dell has lied to him about his identity, he contacts the FBI -- he then finds himself set up as a murder suspect who learns, almost too late, to trust no one. The title of the film refers not to any of the characters but to a classic con artist's scam. ~ Karl Williams, Rovi

http://www.youtube.com/watch?v=DPF-5KNmqq4
 
"UNCLE BOONMEE WHO CAN RECALL HIS PAST LIVES" (THAILAND) 2010 Dir. Apichatpong Weerasethakul.

Cannes Review:

The story begins with the image of an ox, the first of many animal references that deepen its mythological dimensions. Over the course of the nearly two-hour excursion, the ghost of a man shows up reincarnated as an ape, and a catfish apparently performs cunnilingus on a woman in the jungle. Those moments provide the strangest diversions, but "Uncle Boonmee" replicates that weirdness with a melding of poetic and comic forces, yielding an experience defined by sheer ingenuity.

Weerasethakul's titular character is a middle-aged man living in the forest and dying from an illness. One evening, during a visit from his nephew, Boonmee also gets met by the ghost of his long-dead wife and missing son, that aforementioned monkey man. They discuss the sense of displacement that death brings them, marrying the strange tone to seriously lyrical observations of mortality. But Weerasethakul doesn't take the scene any more seriously than we do: Another living person joins the table and takes in the eclectic group, concluding, "I feel like I'm the strange one here."

The magic of "Uncle Boonmee" is that it makes all viewers feel like the strange ones. Like Weerasethakul's other movies, the imagery contains lushness even though the context never moves far beyond impenetrably difficult rationalizations. But just as Weerasethakul's "Syndromes and a Century" used its full two hours to reach a sense of full-bodied purpose -- time was its greatest asset -- "Uncle Boonmee" lights up with marvelous imagery and invention from its very first scene. Weerasethakul deals with folklore, memory and death in a wonderfully playful manner that's moderately accessible and cryptic at the same time. Guided by forces as otherworldly as his plot, the filmmaker turns narrative confusion into his greatest conceit.

http://www.youtube.com/watch?v=gqlD_VnsM-k&feature=related
 
JACOB'S LADDER Dir. Adrian Lyne (USA) 199O

Jacob Singer is a U.S. soldier deployed in the Mekong Delta during the Vietnam War. The story begins in 1971 with helicopters seen flying overhead, carrying supplies in what can be inferred as preparation for an anticipated Viet Cong offensive. Without any warning, Jacob's unit comes under heavy fire. The soldiers try to take cover, but begin to exhibit strange behavior for no apparent reason. Jacob attempts to escape the unexplained insanity, only to be stabbed with a bayonet by an unseen attacker.

As the hallucinations become increasingly bizarre, Paul, one of his old Army friends, contacts Jacob to tell him about his hallucinations and is later killed when his car explodes. At the funeral, his surviving platoon-mates confess to Jacob they too have been seeing horrible hallucinations. Jacob is then approached by a man named Michael Newman, who claims to have been a chemist working with the Army's chemical warfare division in Saigon, where he worked on creating a drug that would increase aggression. The drug was code named "The Ladder" because it took people straight to their most primal urges. The drug was first tested on monkeys and then on a group of enemy POWs, with gruesome results. Later, small doses of "The Ladder" were secretly given to Jacob's battalion via their C-rations. Instead of targeting the enemy, however, the men in Jacob's unit attacked each other indiscriminately. This revelation insinuates that Jacob was stabbed by one of his fellow soldiers.

http://www.youtube.com/watch?v=I0kW6xuxtPU

http://www.youtube.com/watch?v=GRZ2eCWJJX8
 
caballero reyes said:
JACOB'S LADDER Dir. Adrian Lyne (USA) 199O

Jacob Singer is a U.S. soldier deployed in the Mekong Delta during the Vietnam War. The story begins in 1971 with helicopters seen flying overhead, carrying supplies in what can be inferred as preparation for an anticipated Viet Cong offensive. Without any warning, Jacob's unit comes under heavy fire. The soldiers try to take cover, but begin to exhibit strange behavior for no apparent reason. Jacob attempts to escape the unexplained insanity, only to be stabbed with a bayonet by an unseen attacker.

As the hallucinations become increasingly bizarre, Paul, one of his old Army friends, contacts Jacob to tell him about his hallucinations and is later killed when his car explodes. At the funeral, his surviving platoon-mates confess to Jacob they too have been seeing horrible hallucinations. Jacob is then approached by a man named Michael Newman, who claims to have been a chemist working with the Army's chemical warfare division in Saigon, where he worked on creating a drug that would increase aggression. The drug was code named "The Ladder" because it took people straight to their most primal urges. The drug was first tested on monkeys and then on a group of enemy POWs, with gruesome results. Later, small doses of "The Ladder" were secretly given to Jacob's battalion via their C-rations. Instead of targeting the enemy, however, the men in Jacob's unit attacked each other indiscriminately. This revelation insinuates that Jacob was stabbed by one of his fellow soldiers.

http://www.youtube.com/watch?v=I0kW6xuxtPU

http://www.youtube.com/watch?v=GRZ2eCWJJX8

This movie is based on one short story of Julio Cortazar, one extraordinary short story, Noche boca arriba. Don't forget to put "spoiler" before the explanation of some movies. :) Specially this one where there is a mystery, a quest from the primer character as for the spectator.
 
I just saw "The Life of Pi" - about a smart young man from India who is shipwrecked.

I will say no more as I don't want to spoil it. It was very well done and well acted, based on the novel by the same name. I think it did the story justice, and seeing it on the screen really brought it to life.
 
Youth Without Youth (2007) directed by Coppola by novel of Mircea Eliade.
Watched it two years ago although I wasn't capable of comprehending it entirely back then i liked part about origins of language tho its much more than that.
 
"DEAR FRANKIE" (UK) 2005 Dir. Shona Auerbach.

After having responded to her son's numerous letters in the guise of his father, a woman hires a stranger to pose as his dad when meeting him.

http://www.youtube.com/watch?v=yQhQXKHPCmM

http://www.youtube.com/watch?v=_vJvSxNbGqg
 
APOCALYPSE NOW directed by Francis Ford Coppola is a movie that has always haunted me ...

Same as the blooger from _http://visupview.blogspot.com.au/2011/01/daimonic-land.html, who gives a good introduction into the esoteric symbology that is shown throughout the movie.

The IMDB entry for the movie reads:

It is the height of the war in Vietnam, and U.S. Army Captain Willard is sent by Colonel Lucas and a General to carry out a mission that, officially, 'does not exist - nor will it ever exist'. The mission: To seek out a mysterious Green Beret Colonel, Walter Kurtz, whose army has crossed the border into Cambodia and is conducting hit-and-run missions against the Viet Cong and NVA. The army believes Kurtz has gone completely insane and Willard's job is to eliminate him! Willard, sent up the Nung River on a U.S. Navy patrol boat, discovers that his target is one of the most decorated officers in the U.S. Army. His crew meets up with surfer-type Lt-Colonel Kilgore, head of a U.S Army helicopter cavalry group which eliminates a Viet Cong outpost to provide an entry point into the Nung River. After some hair-raising encounters, in which some of his crew are killed, Willard, Lance and Chef reach Colonel Kurtz's outpost...
 
"APOCALYPSE NOW" THE HEART OF DARKNESS.

From Wikipedia

Apocalypse Now is a 1979 American epic war film set during the Vietnam War, directed and produced by Francis Ford Coppola and starring Marlon Brando, Robert Duvall, and Martin Sheen. The film follows the central character, U.S. Army special operations officer Captain Benjamin L. Willard (Sheen), of MACV-SOG, on a mission to kill the renegade and presumed insane U.S. Army Special Forces Colonel Walter E. Kurtz (Brando).
The screenplay by John Milius and Coppola came from Milius's idea of adapting Joseph Conrad's novella Heart of Darkness into the Vietnam War era. It also draws from Michael Herr's Dispatches,[2] the film version of Conrad's Lord Jim[citation needed] (which shares the same character of Marlow with Heart of Darkness), and Werner Herzog's Aguirre, the Wrath of God (1972).[3] The film drew attention for its lengthy and troubled production. Hearts of Darkness: A Filmmaker's Apocalypse documented Brando's showing up on the set overweight, Sheen's heart attack, and extreme weather destroying several expensive sets. The film's release was postponed several times while Coppola edited millions of feet of footage.
Apocalypse Now was met with widespread critical acclaim. Its cultural impact and its philosophical themes have been extensively discussed. Honored with the Palme d'Or at Cannes, and nominated for the Academy Award for Best Picture and the Golden Globe Award for Best Motion Picture – Drama, the film was also deemed "culturally, historically or aesthetically significant" and selected for preservation by the National Film Registry in 2000.

http://www.youtube.com/watch?gl=MX&hl=es-419&v=Tt0xxAMTp8M

http://www.youtube.com/watch?v=lsZhDlJ93Bc
 
"WAG THE DOG" (USA) 1997 Dir. Barry Levinson.

Before elections, a spin-doctor and a Hollywood producer join efforts to "fabricate" a war in order to cover-up a presidential sex scandal.

http://www.veoh.com/watch/v180838478zR9pXA9?h1=Wag+the+Dog
 
I <3 Huckabees

Bernard and Vivian Jaffe (Dustin Hoffman and Lily Tomlin) are a married couple who run an existential detective agency where they sift through the lives of their clients in order to discover the source of their angst. The Jaffes' latest client is Albert Markovski (Jason Schwartzman), an environmental activist who has a very large rock and a great deal on his mind; their study of Albert's problems lead Bernard and Vivian to Brad Stand (Jude Law), a public relations executive with a chain of successful variety stores, Huckabees. While publicly allying himself with Albert's environmental initiatives, behind the scenes Brad is running roughshod over responsible land management with little care for the consequences. When Brad learns he's being watched by the Jaffes, he hopes to co-opt them by hiring them himself; however, the plan has unexpected consequences when their questioning leads Brad's girlfriend, well-scrubbed model Dawn (Naomi Watts), into reassessing her life and relationships. Meanwhile, Albert finds himself joining forces with Tommy (Mark Wahlberg), a firefighter and fellow environmentalist who has been having second thoughts about Bernard and Vivian's ideas and methods after a long-term investigation and has since fallen under the spell of nihilist poet and philosopher Caterine Vauban (Isabelle Huppert).

K-PAX

After a mugging incident at New York's Grand Central Station, Prot (Kevin Spacey), a man who claims to be an alien from the planet K-PAX, is turned over to a public mental hospital and the care of Dr. Mark Powell (Jeff Bridges). When medication fails to alter Prot's insistence that he is visiting from another world on a fact-finding mission, Powell gets more involved with his patient, who seems to have a calming effect on the other residents of his ward. At first convinced that Prot is a delusional who can be treated, Powell begins to wonder if his bizarre patient's story is true, particularly after the hospital's doctors find that Prot possesses the baffling ability to see ultraviolet light. As the date grows nearer when Prot claims he must leave Earth (a "class BA-III planet"), Powell becomes increasingly concerned that a psychiatric breakthrough must occur by then.

I'll post some more as I think of them. ;)
 
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