Haiku
Jedi Master
Crop Circles 1994
This was the year of the crop circle, or at least the beginning of photographic evidence of these events. I admire all that documented these events, they were groundbreakers that continue still today. The real artists, those outer world entities, are our hero’s for creating these masterpieces. I have found more than twenty events that have been photographed that presented themselves in this year. I have modeled several of the first crop circles and I will give a briefing on them.
The Sanctuary Avebury, Wiltshire 4/25/1994
This was photographed by Steve Alexander, as were many of the crop circles that I model. From the image, you can see crop laydown and presents itself to be a spherical object. I am putting it the message in a bottle category, although I think it is a simplistic message. The model that I created ended up looking like an eyeball that you can look out of or inward, if you are inclined. Being a message in a bottle, you are looking inward. This could very much be called “Sight”. Whatever it is in reality, it is a beginning message. Something that you would expect to see in a beginner’s class. Short and sweet.
Cheesefoot Head, Hampshire 05/01/1994
This is an odd crop circle. In a simplistic concept, I would consider it a short strip message. This is also a beginner’s message. This object looks like something out of a slide on a microscope or someone playing with an eyeball (ewe). I think that this is the best description that I can come up with for this object.
Furze Knoll, Wiltshire 05/07/1994
This crop circle is a message in a bottle combined with a strip message. Although it is quite creative, it shows a lot of information. The main center has an eye structure like I saw in the Sanctuary Avebury but with extra information as lesser centers precisely placed around the object. The upper portion of this one was a partial eye object and a mid-sized center at the bottom. This is a level of message greater than any of the crop circles that started this year. The four lesser centers have two symmetrically located in the center of the greater center. The outer two centers are placed for us to pay attention to them. One at nine o’clock and the other at about four-thirty. All four of these combine to expand the message at some level. It is an interesting procession of symbols.
Avebury Avenue, Wiltshire 06/30/1994
I spent a lot of time with this crop circle. I did my first model of it using one set of images. I then found another image of the same circle that helped me refine the model. I used this crop circle to help me in some basic definitions of objects. I did a radial message analysis of it and others, no message identified. But it is a very interesting crop circle. It is what I would call a message in a bottle, chaos version. This presentation of spinning arms and a heavily disturbed crop laydown lead me to these statements. The objects outside of the center are items of importance. I saw them in three different circles in this same year. These three centers, that look like 2 orbiting centers around one larger center, are looking in from the outside. This is an aspect point of this message that is applied by them. The one halo, a stationary arc shaped line and all the various centers being flung around are a core message. The greater center is a packaging of the message. The messages are getting more complex as this year progressed. There is a meaning here in this crop circle that alludes me. And I do not believe that it is has very hard answer either, just outside of our understanding in 3D.
Beacon Hill Burghclere, Hampshire 07/04/1994
This crop circle had what I called halo objects in its procession. I have changed how I present these objects as a literal halo around its center. I have reproduced this crop circle with this intent. This is a basic strip message. The halo’s connect the statement. The arced line that is separate from the statement seems like an accent object. The centers, one connected and the other is encircled, being this way it is part of the message. The distance of the halo’s from the centers is another clue. One is close but not touching the center while the other that is connected has a halo that is far from the center. Seems like two different extremes.
Anyway more to come. Haiku ...
This was the year of the crop circle, or at least the beginning of photographic evidence of these events. I admire all that documented these events, they were groundbreakers that continue still today. The real artists, those outer world entities, are our hero’s for creating these masterpieces. I have found more than twenty events that have been photographed that presented themselves in this year. I have modeled several of the first crop circles and I will give a briefing on them.
The Sanctuary Avebury, Wiltshire 4/25/1994
This was photographed by Steve Alexander, as were many of the crop circles that I model. From the image, you can see crop laydown and presents itself to be a spherical object. I am putting it the message in a bottle category, although I think it is a simplistic message. The model that I created ended up looking like an eyeball that you can look out of or inward, if you are inclined. Being a message in a bottle, you are looking inward. This could very much be called “Sight”. Whatever it is in reality, it is a beginning message. Something that you would expect to see in a beginner’s class. Short and sweet.
Cheesefoot Head, Hampshire 05/01/1994
This is an odd crop circle. In a simplistic concept, I would consider it a short strip message. This is also a beginner’s message. This object looks like something out of a slide on a microscope or someone playing with an eyeball (ewe). I think that this is the best description that I can come up with for this object.
Furze Knoll, Wiltshire 05/07/1994
This crop circle is a message in a bottle combined with a strip message. Although it is quite creative, it shows a lot of information. The main center has an eye structure like I saw in the Sanctuary Avebury but with extra information as lesser centers precisely placed around the object. The upper portion of this one was a partial eye object and a mid-sized center at the bottom. This is a level of message greater than any of the crop circles that started this year. The four lesser centers have two symmetrically located in the center of the greater center. The outer two centers are placed for us to pay attention to them. One at nine o’clock and the other at about four-thirty. All four of these combine to expand the message at some level. It is an interesting procession of symbols.
Avebury Avenue, Wiltshire 06/30/1994
I spent a lot of time with this crop circle. I did my first model of it using one set of images. I then found another image of the same circle that helped me refine the model. I used this crop circle to help me in some basic definitions of objects. I did a radial message analysis of it and others, no message identified. But it is a very interesting crop circle. It is what I would call a message in a bottle, chaos version. This presentation of spinning arms and a heavily disturbed crop laydown lead me to these statements. The objects outside of the center are items of importance. I saw them in three different circles in this same year. These three centers, that look like 2 orbiting centers around one larger center, are looking in from the outside. This is an aspect point of this message that is applied by them. The one halo, a stationary arc shaped line and all the various centers being flung around are a core message. The greater center is a packaging of the message. The messages are getting more complex as this year progressed. There is a meaning here in this crop circle that alludes me. And I do not believe that it is has very hard answer either, just outside of our understanding in 3D.
Beacon Hill Burghclere, Hampshire 07/04/1994
This crop circle had what I called halo objects in its procession. I have changed how I present these objects as a literal halo around its center. I have reproduced this crop circle with this intent. This is a basic strip message. The halo’s connect the statement. The arced line that is separate from the statement seems like an accent object. The centers, one connected and the other is encircled, being this way it is part of the message. The distance of the halo’s from the centers is another clue. One is close but not touching the center while the other that is connected has a halo that is far from the center. Seems like two different extremes.
Anyway more to come. Haiku ...