Vladivostock and the palladion

[Heaalih]

On the occasion of the Eastern Economic Forum 2023 in Vladivostock, and the travel of Putin, this reminded me of a text that I read a few years ago, in the book by Jacques Sourmail, a French esoteric mathematician: "Initiation to esoteric politics". It makes more sense today :
(translated with deepl, I hope it's not too bad...)

We now come to the third promise. A new hotbed of humanism: this is the meaning we have given to the third little flame dancing in that magnificent glow at the end of the "Damascus perspective".
This promise is linked to a prophecy that continues to inspire great hope in many Russians: the prophecy - or myth - of the Third Rome. What is it about?
To explain its origins and how it came about, we need to go back quite a long way, to the time when the proud city of Troy flourished, abundant in wealth and fearsome in its warrior ardour.
Ilion of the beautiful towers" was then dominated by a sacred citadel where the temple of Athena stood. There, at the heart of the temple, in its inviolable Adyton (1), was a mysterious object of an obscure nature (2), an object that could not be defined, which the Trojans called the Palladion, and which they considered to be the receptacle of a supernatural force.
Kept with all the more jealous vigilance and trembling veneration, it was regarded as the Mother Source from which the Trojan capital derived all its glory, power and prosperity.
By stealing it, Ulysses and Diomedes placed Priam's city at the mercy of its attackers, whose black ships came from the four winds of Greece.
The Trojans had only succeeded in repelling the assaults of so many attackers, they had only been able to withstand such a long siege, galvanised by the radiations of the cabalistic object. Deprived of this strength, deprived of its "ancient and holy safeguard" (3), their towers, their ramparts, their very heroes could no longer protect them from the fury of the Greeks. The city fell.
After the sacking, the magic effigy found its way, somehow (1), to Rome, where its presence began the glorious fortunes of the City of Seven Hills.
Centuries later, the emperor Constantine had the Palladion transported in great secrecy to the new city he had just created on the banks of the Bosphorus. Constantinople, the capital of a new empire lasting a thousand years (2), received the most precious of leavenings.
The spirit that had successively animated Troy and Rome passed through it and animated it in its turn.
Constantinople preserved, amplified and finally bequeathed to the dying European world everything that had been prophetic in Troy, philosophical in Rome, mystical in Troy (3) and humanistic in Rome.
How did the impregnable city, which for so long had withstood the assaults of the janissaries and resisted the appetites of the lords of the turban, suddenly succumb to the thrust of a single atom (5)?
This can only be explained by assuming that the generator that powered her defences was stolen from her.
Stolen, the talisman that protected his life? Stolen, the Palladion?
Yes, stolen, and buried somewhere in the Balkans...
Here prophecy takes over from legend; prophecy according to which an illustrious Russian will one day come and, having found the Palladion, will transport it to the east of Constantinople to make it the foundation of the power of a new metropolis (1).
This Russian city, taking on the heritage of Rome and Byzantium, would then appear as the true "Third Rome", destined to become the focal point for spreading a new humanism throughout the world.
Although obviously not a Russian, Lord Byron took this prophecy seriously enough to make the search for the Palladion his own quest for the Grail. Was it only his philhellenism, his sympathies for the cause of Greek independence, that prompted the divine lame man to come and die under the Hellenic sky, or had his fatal and suffering genius picked up some signal emitted by the buried Palladion?
Let's talk about its death: the capture of Constantinople by the Turks (4) may well have been nothing more than the consequence of the loss of the Palladion by the Greeks. How did the impregnable city, which for so long had withstood the assaults of the janissaries and resisted the appetites of the lords of the turban, suddenly succumb to the thrust of a single atom (5)?
This can only be explained by assuming that the generator that powered her defences was stolen from her.
Stolen, the talisman that protected his life? Stolen, the Palladion?
Yes, stolen, and buried somewhere in the Balkans...
Here prophecy takes over from legend; prophecy according to which an illustrious Russian will one day come and, having found the Palladion, will transport it to the east of Constantinople to make it the foundation of the power of a new metropolis (1).
This Russian city, taking on the heritage of Rome and Byzantium, would then appear as the true "Third Rome", destined to become the focal point for spreading a new humanism throughout the world.
Although obviously not a Russian, Lord Byron took this prophecy seriously enough to make the search for the Palladion his own quest for the Grail. Was it only his philhellenism, his sympathies for the cause of Greek independence, that prompted the divine lame man to come and die under the Hellenic sky, or had his fatal and suffering genius picked up some signal emitted by the buried Palladion?
Without a doubt, the prophecy of the Third Rome fascinated the cantor of Childe-Harold, who thought he had found a role to suit him. An occultist by instinct, he was drawn to the Palladion. He sought it out everywhere. In the forests of Epirus, in the rugged mountains of Arcadia, in all the caves of the Morea; on bluish islands, shining promontories and golden coves; in the whole glittering circle of Greece. All in vain.
These are the facts as they can be found in documents, legend and history; and here is the commentary and interpretation we propose.
First, the nature of the Palladion.
What formidable power this sacred effigy possesses! No sooner had the industrious Odysseus stolen it from the Trojans than they saw their city succumb to Greek attack. Rome let it leave for Constantinople: the Eternal City entered the night. In Constantinople, at last, it was concealed, and here was the inviolable Queen of the Bosphorus surrendering to the arms of Mehmet II...
Could a simple "statuette" have been so influential? It's hard to imagine.
Let's think instead of bringing the Palladion closer to an object that is no less mysterious than it: this black stone of meteorite origin in which the Arabs, long before Islam, already saw a receptacle for celestial forces, and which they continue to venerate today in Makka (1), after having taken care to enclose it in the great mausoleum
protective mausoleum of the Ka'ba (2).
We believe that the Palladion and the Black Stone of Arabia are of the same nature and origin, that they are aeroliths, rocks that have fallen from space, meteorites filled with a radioactivity that is not natural but supernatural.
Let us note that Constantine took the precaution of burying the Palladion; that the Trojans kept it cautiously behind the thick walls of the Adyton; that Virgil says he saw "sparkling flames" bursting from it; and that the Arabs keep their stone locked inside the sarcophagus of the Ka'ba, whose brocade cover they change every year.
Is it just a question of protecting these objects? Or is it more a question of protecting oneself against them? Because, although they are "metaphysical", their emanations are no less dangerous if you expose yourself to them carelessly. If they don't burn the flesh, they scorch the mind; and it undoubtedly takes a very special kind of psychic armour to withstand their rays for long.
We say that these objects were carved from fragments of Shooting Stars by a great race of vanished magicians, who fashioned them in the effigy of the stars.
These sculpted monoliths, stone stars from the stars, boiling boulders from an obscure disaster, vibrate like powerful talismans, capable, where they are buried, of superheating the ethers by filling them with heavy spiritual atoms (1).
When one of these pentacles is planted anywhere in a country, a kind of "heat sheet" is formed in the surrounding ethers, and its heat alone draws to it, from all parts of the country, all the superior men, noble natures, imaginative intellects and enterprising, mobile characters of the people who live there.
the people who live there.
A "national cauldron" would immediately begin to boil. Around its edges will be built either a holy city or a metropolis of light, but always a city towards which talents and eyes will converge; a city where people will write, govern, pray, plan for war, and bury the great servants of the nation.
We are not far from thinking that every land that has seen a radiant city emerge from it carries in its bosom, or has carried in its bowels, a similar talisman; That mingled with the clay of Alexandria or the silt of Florence, buried in the sands of Jerusalem or under the limestone of Athens, buried in the clay depths of the Parisian subsoil or buried in the shales of London, such star-stones are present, which have fertilised these illustrious places and brought forth the splendid corollas of light that continue to enchant our eyes and our imaginations.
But who, it may be asked, placed them there? Let the author remain silent on this point.
Let us return to the Palladion. Does this not sound like a grain of spiritual pollen carried by the wind, and which, wherever it is deposited, fertilises the soil?
It made Troy grow, it made Rome grow, and here it is in Constantinople. The son of Saint Helen (2) had the spore from the stars hidden in the base of an enormous marble column. The stellar object began to act. By virtue of the mysterious power it contained, Byzantium, plucked from nothing by the sheer will of one Caesar, took its place at the pinnacle of civilisation for over a thousand years. Monks and philosophers converged on Byzantium, bringing to metaphysics and religion a superiority of light that astonished the world. It became one of those sacred places where heaven seemed to communicate with earth through exceptional souls placed in men of genius. With its revolving beacons, the august city, a beacon of culture, enlightens the peoples of the world. In the early days of their expansion, the Arabs spontaneously turned to it as their model. As the centuries passed, it was Byzantium that the masters of Iran, the Turkish sultans and the Slav tsars envied and admired.
Here we are in the year 1000: in the dark regions that the lands of the West have become since the fall of Rome, what hearth remains lit, where people continue to read and write when almost everywhere else the use of these tools has been lost? What hearth still persists in shining in the barbaric night, if not Venice, the Byzantine pearl, linked to the metropolis by an invisible cord along which circulate the nourishing fluids of the hidden Basileus (1)?
The emperors of Byzantium worked hard to ensure that the Roman heritage contained in the Palladion flourished. In this way, the sacred effigy would turn the city of the Golden Horn, a city with no past and no memory, into the crucible of a new humanism.
Constantinople blended the agility of the Greek spirit and its love of life with the somewhat stiff and severe thinking of the Latins; it added to the moral and legal genius of the Romans that part of generosity and hedonism that came from its Eastern ties. As a result, the serious humanism of the first Rome, softened by the "Attic honey" of the second, eventually gave rise to the incomparable culture that, escaping from the walls of Byzantium just as the Turks overthrew them, spread to the West, where it passed into the hearts and minds of the men of the Renaissance.
For what we call "Renaissance humanism" is none other than Byzantine humanism: the great cultural and spiritual lake long held in the reservoir of the Eastern Roman Empire, whose waters spilled over to us when the Turks burst the dykes.
The fall of Constantinople was the death knell of our Middle Ages, submerged by this breach in the dam and by the flood that spread in its wake (1).
Without question, our reborn culture is the offspring of Byzantine humanism (2). From this perspective, the fall of Constantinople appears to be a providential event to which Western Europe owes its awakening; and since this fall was the occult consequence of the abduction of the Palladion, we must admit that whoever was able to extract the precious talisman from the foot of the column where Constantine had walled it up, and carry it outside the city walls, knew exactly what he was doing and was working as a conscious agent of the Forces of Light.
Now, if prophecy is to be believed, another 'agent' is to come into possession of the Star Stone and set out to cement it in a Russian city to the east of Constantinople, so that it too will become the home of a regenerated humanism.
We say that this man is none other than Alexander Solzhenitsyn, and we affirm that this city is Vladivostok.
Firstly, elementary geopolitical considerations lead us to believe that Vladivostok will be called upon to play the role of a major centre of economic development in the Russia of tomorrow.
The argument goes like this: the loss of the Baltic States, compounded by the amputation of Ukraine, has deprived Western Russia of its main windows on the sea. The waters of the Baltic, the Black Sea and the Mediterranean can now only be seen and greeted from afar. Under these conditions, how could it not be tempted to turn its attention from this blocked horizon to the blue line of the Pacific?
She might then feel more and more drawn to its eastern confines, to its remote Siberian reaches, to its Asian vistas, with their long coastlines open to the Bering, Okhotsk and Japanese seas, and - beyond - to the immense Pacific whose shores bathe the Americas. It will be all the more inclined to do so as the Pacific, bordered by China, Japan and the United States, will become the most important strategic region on the planet in this century. So where else but on a balcony overlooking the Pacific could we find the new Rome?
On Russia's Siberian coast, Vladivostok has no rivals.
In fact, the rise of Vladivostok was foreshadowed in the last century.
It was at the time of the First World War. Following the blockade of the Baltic by the Prussian fleets and the blockade of the straits (1) by their Turkish allies, Russia no longer had a port in the west to unload a bundle of goods.
If she escaped suffocation, it was only thanks to her Siberian lung: for months, she breathed only through Vladivostok. This led to a gigantic draught of air from the Pacific, which fuelled - for the duration of the war - the activities of the "Master of the Orient" (2).
What a naval blockade of a few weeks only outlined, the great contemporary ebb of European Russia should accomplish: the star of Vladivostok will rise and shine as that of Moscow declines and fades.
But so far we have only talked about the economic development of Vladivostok.
What about its spiritual influence?
Bad Marxists that we are, we don't believe that economic power automatically engenders cultural hegemony, that it is enough to establish it. As esotericists, we are well aware that there is a touch of grace, an air of the miraculous, a touch of the soul, a part of the impalpable that comes from mysterious factors, secret influences, unknown emanations, in all cultural flourishing.
We are simply saying that it is possible, on the basis of vigorous economic expansion, for sudden and beautiful productions of the mind, sudden and beautiful manifestations of human genius, to burst forth, provided that brains are prepared for it, provided that a certain ripening of consciousness has occurred beforehand, provided that the surrounding ethers have been worked on for a long time by the necessary ferments.
Let's assume that in Siberia such expansion has been achieved (1); let's assume that Vladivostok has become Russia's leading centre of industrial and commercial development (2): it will still have to create in its atmosphere that touch of grace, that air of the miraculous, that extra touch of the soul and all those tenuous elements that are indispensable for moving from simple material wealth to spiritual fruitfulness.
Where will they come from? From the source that gave Troy, then Rome, and finally Constantinople their legendary dimension and fabulous aura; from the source that made them cradles of civilisation and homelands of a humanism that is constantly reincarnated and constantly reinvented; from that talisman from the stars: the Palladion.
When Aleksandr Solzhenitsyn was finally able to return to his homeland after a long exile in America, it was not from the west that he arrived, but from the Pacific and returned home through the gateway to Vladivostok! This choice intrigued many observers at the time, and many thought it was nothing more than a whim: the Zek simply wanted to cross his homeland from one end to the other, from Siberia to the Caucasus.
Naïve.
In truth, the Zek intended to carry out a specific mission in Vladivostok.
He wanted to bring the Palladion to Vladivostok.
He had secret instructions to do so.
After such a long absence, when he set foot in the land of his ancestors, he brought with him the mysterious pentacle.
How, how and by what means did the incredible object that had fallen from the stars come into his possession? What series of events had thrown it into his hands? These are questions that can only be answered by anecdote.
Let's face it: we don't have the slightest clue as to how the Zek managed it.
Esoterically, the facts are there, and they alone count: Solzhenitsyn had the Palladion in his possession when he entered Vladivostok (1); he no longer had it with him when he left.
The inevitable conclusion: the radioactive effigy now rests somewhere within the city walls.
Vladivostok, the Master of the Orient, the diaphanous lotus of the Siberian confines, the future metropolis of 'Russian California', is now charged with an eminent mission: to become the Third Rome, and as such, to offer the world a new humanism, a synthesis of Latin gravity, Greek subtlety and Mongolian lucidity. An alliance of law, philosophy and theurgy.
Under the powerful impulse of the star fragment implanted in its au- ra, Vladivostok will gather the heritage of the first two Romes; it will add to it that touch of oriental mystagogy that its own intimacy with Asia brings to it (it is not a thousand kilometres to Tokyo, Peking is not much further), and it will thus compose the singular theme of an inventive humanism whose signs and symbols it will scatter throughout the world.
the world.
It would be quite adventurous, so long before its emergence, to attempt to describe the content of a nest of ideas whose silent brood will no doubt occupy several more generations.
On one specific point, however, we will not refrain from lifting a corner of the veil.
The mores of our time clearly show a loosening of the bonds of marriage, a desacralisation of its meaning, with the inevitable consequence of a shortening of "marital life expectancy". Who would think of welcoming this? However you want to see it, however you want to live it, divorce is always divorce, in other words, failure. Let's try to cushion the shockwaves; let's try, with varying degrees of success and elegance, to avoid the shouting and the grimaces: it will always be a failure, and each of the spouses will carry the discomfort with them.
Is it necessary for society to use coercive means to 'save marriage', following the example of puritan America, some of whose states are now adopting anti-divorce legislation? Outlawing divorce in order to outlaw marriage is one of the legal tricks we have become accustomed to from the great Republic of judges!
There are two ways of saving marriage, one external and restrictive, the other entirely internal; one 'American' and silly, the other subtle: in the clearer and more lively spiritual atmosphere in which the new humanism will accustom us to evolve, is it not possible that we will spontaneously rediscover the occult meaning of marriage and the true esoteric value of nuptial rites?
It would then be to a whole inner ceremonial, based once again on the knowledge and adjustment of rhythms, as well as to cycles of intense meditation on the mystery of their future alliance, that a man and a woman wishing to unite would devote most of their retreat time, during a probationary and preparatory period spent seemingly in search of the note of their couple.
What's more, the children born of these unions destined to stand the test of time would no longer be the "fruits of darkness and incontinence" depicted in Plato's biting words, but truly those of clarity and consonance.

 

[Lyndi Lama]

This account took my breath away. There feels like a lot of weight to it.

I read a book, recommended somewhere here on the Forum or maybe in some shorter article by Laura on the Home page lists, 'Entering the Circle - Ancient Secrets of Siberian Wisdom Discovered by a Russian Psychatrist' written by Olga Kharitidi. It was about what turned out to be a shamanic trip Kharitidi took from Novosbirsk. She discusses a mythical place in Siberia somewhere and it has been called Belovodia. I don't find references to it other than in Entering the Circle. I feel some alive energy around this place or the name, at least, Belavodia, as if it figures somehow. Mentioning this book seems like a non-sequitur but the one thing in the first document that made me think 'what the heck?' was Solzhenitsyn's role in it. I thought of Belovodia, just as an association. If I recall, Belovodia was known by shamanic people in Siberia but nobody had ever found it, or recorded that they found their way to it but it was considered real. It has a resonance in this context, I don't know why, obviously! Well, don't know why yet, anyhow. Maybe somebody else here will have found more about Belovodia. (Maybe I need to look at the book again, it's been a few years since reading it - note I really enjoyed the book.)

Amazon.com

I was in Moscow for a couple weeks in 1990 with a friend who was acting in a Russian/French/Canadian co-pro movie of one of Solzhenitsyn's novels, 'The First Circle'. That's really just an aside, but the time in Moscow was so important to me, and to link anything with Solzhenitsyn, I get a dynamic reaction. In this context of Vladivostock and the Palladion, I don't feel anything of Solzhenitsyn, just in the physical type of reaction, like 'nope, no connection'. This could be my mistaken intuition, of course. I just don't see Solzhenitsyn having that kind of task in the world as I perceive it.

Just my 2 cents worth. Really interesting document, for sure.

 

[Liliea]

If we stick to the facts, the forum has mentioned the work of Fomenko where he demonstrates that the Byzantium empire is a duplicate of the first kings of the Carolingian empire Pierre explains it in his book:

Mass Extinctions, Evolutionary Leaps, and the Virus-Information Connection

Ahh! 460 years. Now I see. Thanks Pierre! let’s have a look at the official chronology, because it has, serious repercussions -...chronology because it has serious... (No commas needed.) Spewing ash, Vesuvius spewed a deadly cloud of ash and gases - Delete. The eruption released 100,000...

cassiopaea.org

Regeneration implies degeneration. What is the part of the society did the Carolingians consider as degenerate?

Remember that about 460 years added the official chronology? Coincidently or not, this time difference occurs elsewhere: the reign of Charlemagne[3] began in 768 AD, and the reign of Constantine began in 306 AD[4]. The difference between those two dates is 462 years, pretty close to the hypothesized added years.

Actually, the alluded moral regeneration that marked the Carolingian Renaissance was centered on Roman Christianity in general and on Constantine in particular:

This revival used Constantine's Christian empire as its model, which flourished between 306 and 337. Constantine was the first Roman emperor to convert to Christianity and left behind an impressive legacy of military strength and artistic patronage[5]
Charlemagne saw himself as the new Constantine and instigated this revival by writing his Admonitio generalis (789) and Epistola de litteris colendis (c.794-797). In the Admonitio generalis, Charlemagne legislates church reform, which he believes will make his subjects more moral and in the Epistola de litteris colendis, a letter to Abbot Baugulf of Fulda, he outlines his intentions for cultural reform.[6]

Might it in fact be other way around: was a mythical Constantine modeled after the historical figure of Charlemagne? Another piece of evidence supporting this hypothesis is the forgery of the Constantine donation:

Valla showed that the document could not possibly have been written in the historical era of Constantine (4th Century) because its vernacular style dated conclusively to a later era (8th Century). One of Valla's reasons was that Mantis Gräfelfing.[9]

Similarly Laura has investigated this point in her last book where she exposes, and I say it in a few words, that this duplication is a way to establish the monotheistic religions what today is the Vatican, the Judaism-Israeli and Islamism.

L) Yes... I guess I'm gonna put the cat among the pigeons. I've got two topics in my mind. The first one is the black hole of Mecca. Now, this guy Peter Townsend - which is probably a pseudonym because he probably won't write under his own name since he fears for his life - says that Mecca didn't exist and that Islam as a religion started out in very strange ways. Basically, he says that Islam is not a very friendly religion according to his way of thinking. Now, I don't think we need to ask any questions about the research he did, because that's all pretty plain and clear. But his conclusions are that Islam needs to be reformed or something needs to be done about it because it's not a very friendly bunch of people at present due to the beliefs that are inculcated into them from birth. Aside from the teachings in Islam that all other religions are wrong and only Muslims are right, and Muslims are entitled to kill non-believers, he's basically suggesting that inherent in Islam is a corruption, that the religion itself is inherently bad. But we've been discussing it, and we don't see that there is that much difference between one fraudulent religion and another. I mean, Christianity and Judaism are both pretty bad in some ways. So, I don't see... Is Islam inherently corrupt and a bad influence in general?

A: Consider carefully the developmental pathways of the three test cases. First you have Judaism. It began as a widespread cult of comet/storm god worship. It was reformulated to meet the needs of a dispossessed people and encourage solidarity among them. Christianity had a dual beginning. First was an apocalyptic cult of intolerance and violence. Second was a message of spiritual transformation based on the life of an extraordinary man full of mercy. Islam is the miscegenation of the worst of both. How can there be any positive elements out of complete falsehood?

Q: (L) So, you're saying that Islam is a mix of the worst parts of Judaism and Christianity? [Review of last answer] Is it possible that there was a strong influence of the Dead Sea Scroll people on the formulation of Islam?

A: Indeed!

Q: (L) And based on the studies of the Dead Sea Scrolls people, that was a bunch of schizoid psychopaths.

(Joe) Were they Jews?

(L) Yeah. They were Jews that thought all other Jews were corrupt and only they had the truth, and they were all itching to go out and kill everybody who didn’t believe the way they did. There is a whole field of studies devoted to the Dead Sea Scrolls and related texts such as the Books of Enoch and Enochian apocalypticism. I’ve got quite a bit of it covered in my text on Paul, Josephus and Jesus.

(Joe) So they were the origin of the first wave of Christianity. And then Caesar came along.

(L) Well, actually, Paul came along with his vision of the merciful savior, Caesar. This was the background to the several puzzling references in the New Testament to a conflict between Paul and the “Jerusalem Christians”. There was the Dead Sea Scrolls types, Zealots, etc, and then Paul. Again, I’ve covered this pretty well in my yet-to-be-published book on the topic. And don’t forget that the creators of Islam borrowed heavily from the stories of Abraham and Moses which the Jews invented with models of real historical figures of Greek and Egyptian history back when the OT was written in about 272 BC. All of that is discussed by Gmirkin and Wajdenbaum. (Argonauts of the Desert etc.} The inventors of Islam didn't know that they were creating stories based on already invented stories, etc.

(Joe) So the worst of both Judaism and early Christianity would be intolerance and violence and storm god worship. Islam more than any of the religions is influenced by cataclysms in that sense, no?

A: Yes

Q: (Joe) At the time that it appeared, was there stuff going on? It was the Dark Ages, right?

A: Yes

Q: (L) So that would give a perfect explanation for why they were attracted to that apocalyptic literature. It was a time when it had the most meaning.

(Joe) And it's relatively recent.

(L) And also if some of these people like Heinsohn and Fomenko are right about years being inserted into the historical timeline, it could have been even more recent and more close together than we think. History is such a muddle because of all the manipulations.

(Andromeda) So Islam is based mostly on fear and avoidance, whereas even Judaism had the idea of solidarity behind it. And Christianity had spiritual development. Islam has none of that.

So: "Undoubtedly, our reborn culture is the daughter of Byzantine humanism (2)." is an assertion that does not hold.
Then also in some of the transcripts there has been mention of a type of prophecy producing corporation (subway psychics) where agendas are developed to follow of course, and don't get me wrong, it doesn't mean that there are no seers who can see timelines or the immediate future.
From my point of view this text has a lot of New Age agenda and even I dare to say that also Rosicrucian and well that is a long topic.
I dare to put this in a context that has already been studied in the forum because generally what is disinformation generates discomfort.

It must be said that I would rescue from the text the mention of Palladium as an important subject in this Russian context and exploitation of precious materials as well as its symbolic value that leads me to think that this is the reason why financially it maintains more value ahead of the price of gold and of course of silver, although it must be said that this weekend the Chinese gold rallies and lowers the price of gold in the West.

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[mxwlll0]

This was a really interesting read. Wish it were full translated in English I think this is the book on GoodReads:

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While reading it recalled a few things a recently read in the transcripts that felt related:

“We say that these objects were carved from fragments of Shooting Stars by a great race of vanished magicians, who fashioned them in the effigy of the stars.

These sculpted monoliths, stone stars from the stars, boiling boulders from an obscure disaster, vibrate like powerful talismans, capable, where they are buried, of superheating the ethers by filling them with heavy spiritual atoms (1).”

This made me think of the vessel described by the Cs regarding Kantek - some Kantekkians traveled to Earth by of a mother stone named Merkabah…

Session 26 February 2002

Q: (A) Manifestation? (R) That sounds like Merkabah. The Matriarch Stone. The Mother Stone. (A) So it can do all kinds of things ... (R) Is this the Merkabah?

A: Mother Stone, yes.

Q: (R) So that's it! This is the real meaning of the Merkabah. Pretty neat. And there is only one of these available. This puts a very strange aspect on all this. (L) Where was it created?

A: Kantek.

“A "national cauldron" would immediately begin to boil. Around its edges will be built either a holy city or a metropolis of light, but always a city towards which talents and eyes will converge; a city where people will write, govern, pray, plan for war, and bury the great servants of the nation. “

5-D city on a hill came to mind. Often wondered if this is in reference to a church, mausoleum, or sanctuary of some kind — just an example I came across:

The St. George's Church in Oplenac (Serbian Cyrillic: Црква Светог Ђорђа на Опленцу, romanized: Crkva Svetog Đorđa na Oplencu), also known as Oplenac (Опленац), is the mausoleum of the Serbian and Yugoslav royal house of Karađorđević located on top of the Oplenac Hill in the town of Topola, Serbia. The church of Oplenac was founded by King Peter I of Yugoslavia. Many members of the royal house are buried in the church, in the crypt beneath the church, or in the church yard.

“Vladivostok, the Master of the Orient, the diaphanous lotus of the Siberian confines, the future metropolis of 'Russian California',”

This is interesting too since Vladivostok is referred to as the San Francisco of the East. I would say SF is now lost “leftist degradations”. So seem fitting symbolically that Russia’s “SF” could be central to the multipolar world taking shape.

Also, I prefer to call the coast of Northern California the “Russian coast of California” (Fort Ross, Russian River, sister cities with Crimea and Ukraine, etc). The strong bond that has existed for centuries seems lost on many people here (in the US) but it won’t last…

Anyway, just some thoughts, thanks for sharing!

 

[Ryan]

It must be said that I would rescue from the text the mention of Palladium as an important subject in this Russian context

I don't think even that would be worth doing. The story has a similar feel to the Nazi "Spear of Destiny" fairy tale, and seems to show more evidence of the fanatical obsession with the idea of "objects of power" that pops up again and again in occultism. Perhaps the clue here is that such an obsession may reflect the objectives of their 4D 'masters' (as above, so below), which have likely been manifested in a more 'direct' way via the empire's attempts to prevent Russia from uniting with China?

This made me think of the vessel described by the Cs regarding Kantek - some Kantekkians traveled to Earth by of a mother stone named Merkabah…

Vladivostok likely has no significance beyond the obvious here. See Laura's article Jupiter, Nostradamus and the Return of the Mongols (Part 11):

It is time now to approach the Biggest Secret, that which explains the method employed by the Liberator Gods to maintain permanently, even eternally if so they wish which involves the Grail as an object in the world. In order to understand this, the question to be asked is: where is the Abode of the Loyal Gods?

Faced with this question we may use two different criteria: one, to resort to elements of the Norse mythology and state, for example, that “Valhalla sits on top of the Yggdrasill ash tree” and that it is that place “where warriors fallen in combat go to reside”, “ruled by Wothan”, etc.

Through a second criterion, the use of symbols from the Creative Hyperdimensional Wisdom, we may state that Valhalla is the stronghold liberated by the Gods somewhere in the Universe of the One – in short, hyperdimensional space.

The Gods have liberated the Valhalla stronghold applying the Law of Enclosure through their Powerful Wills. The conquest of Time places them beyond the Loops and “laws” of the world of the Demiurge. But what could have been the stone, the lapis oppositionis that the Gods used in their Hyperdimensional strategy?

The Tradition teaches that, ever since the conflict of the Origin took place, the Gods practiced the Strategic Opposition against a precious extraterrestrial Gem delivered for that purpose by the Gallant Lord Christos Lucifer. The name of that stone is the Grail: und dieser Stein ist Gral gennant (Wolfram Von Eschenbach).

The analogous relationship between archemona and Valhalla becomes more evident still when we consider that the latter has a “porta infernalis“, equivalent to the “fenestra infernalis” of the former. This porta infernalis is an opening in the wall permanently watched by sentinels. In front of the porta infernalis, but outside the Valhalla, or in other words “in the world”, the Grail is located “above a Rune”.

The Grail, as a lapis oppositionis was placed above a Rune in the Origin and it’s still there: above a Rune in the Origin. The Tradition states clearly that this is no play with words but in effect a property of the Grail that must be examined with care: the Grail, as reflection of the Origin, is not liable to change in time as the material things created by the Demiurge do. In other words, the Grail cannot be in the present.

In short, the Grail is still in the remote past, in that time and place in which it was originally placed, and that’s why it should not be “searched for” through the use of “movement” (or time) with the intention to get to it since that attitude is directed at the future (the opposite direction).

So any story about an "object of power that was moved from place to place that decided the fate of empires" is likely totally incorrect, and probably a result of the aforementioned obsession.

Interesting however that Sourmail refers to the Palladion/Palladium being "buried in the Balkans", and we have the recent information about long term plans by the empire to "Balkanise" Russia, the theme of which is also present in the story with Vladivostok set against Moscow. Esoteric politics indeed, yet perhaps a "tell" of the forces working through Sourmail without any awareness on his part. If he's still alive, he might want to read Mark Stavish's book on egregores, for the sake of his health.

 

[mxwlll0]

I don't think even that would be worth doing. The story has a similar feel to the Nazi "Spear of Destiny" fairy tale, and seems to show more evidence of the fanatical obsession with the idea of "objects of power" that pops up again and again in occultism. Perhaps the clue here is that such an obsession may reflect the objectives of their 4D 'masters' (as above, so below), which have likely been manifested in a more 'direct' way via the empire's attempts to prevent Russia from uniting with China?


Vladivostok likely has no significance beyond the obvious here. See Laura's article Jupiter, Nostradamus and the Return of the Mongols (Part 11):


So any story about an "object of power that was moved from place to place that decided the fate of empires" is likely totally incorrect, and probably a result of the aforementioned obsession.

Interesting however that Sourmail refers to the Palladion/Palladium being "buried in the Balkans", and we have the recent information about long term plans by the empire to "Balkanise" Russia, the theme of which is also present in the story with Vladivostok set against Moscow. Esoteric politics indeed, yet perhaps a "tell" of the forces working through Sourmail without any awareness on his part. If he's still alive, he might want to read Mark Stavish's book on egregores, for the sake of his health.

All good counterpoints, Ryan. Thanks for providing that perspective. Agree this should be met with skepticism especially his use of the world “occult” (maybe a translation issue ) along with drawing close a connection with Kantek - mostly noted as there seemed be a theme. In the end, Vladivostok may be a city of many that prosper through multipolar partnerships.

One other interesting bit on the mother stone in the transcripts is the reference to it as the ark of the covenant and that a 4D STO mission reclaimed it and hide it from STS.

Perhaps he’s channeling a bit of that “lore”, but I’m always wary with knowledge being a call to power - which is just dominance, and culturally/globally we’ve been down that road enough…

 

[Heaalih]

Thank you all for your feedback. For sure it is always sensitive matters with those subjects. And of course I try to read those texts with precaution.
I also thought about this text while listening to Xavier Moreau, a French expatriate who has lived in Russia for almost two decades. He specializes in geopolitics around Russia, and publishes a weekly video update on the special military operation in Ukraine. He was in Vladivostok last week and his comment was: it's a very beautiful city, dynamic, and if I were 20, that's where I'd settle.

 

[Ryan]

One other interesting bit on the mother stone in the transcripts is the reference to it as the ark of the covenant and that a 4D STO mission reclaimed it and hide it from STS.

Agree with what you wrote in general, although the C's mentioned that the ark of the covenant and "Mother Stone"/Grail were two different items:

Q: (L) What was the "Ark of the Covenant?"
A: Power cell.
Q: (L) What was the origin of this power cell?
A: Lizards given to the Jews to use for manipulation of others.

Q: [..] One of the questions we would like to clear up is the issue of the Holy Grail and the Ark. Is the Ark of the covenant - the ark thing given to the early pre-Mosaic Jews that you have described previously - the same as the Holy Grail?
A: No.
Q: (L) So there are two completely different technologies?
A: If you wish to term it such.

Q: [..] I believe that we understand that [the "Mother Stone"/Grail] is an object that is of great usefulness, some kind of lensing device. Is that correct?
A: Yes.
Q: (L) Is this something that the STS groups - yeah, we know everybody on earth is STS, but I mean the heavy duty ones - had at one time and then lost, or lost control of?
A: Yes.
Q: (L) How did they lose it?
A: It was not so much "lost" as it was "retrieved" and put away for safe keeping.
Q: (R & L) Who retrieved it?
A: 4th density STO mission.
Q: (L) Who is it that is looking for it? Is it 3rd density STS or 4th density?
A: Both.
Q: (L) If it is a 3rd density device why do 4th density critters want it?
A: It is a trans-density device.
Q: (L) Well if 4th density STS are so technically advanced how come they can't just make another one?
A: This item is tuned by consciousness. It is of such a frequency that STS gifts are not capable of such precision. The range includes multiple possibility vectors. STS operates within a narrow range.
Q: (R) So they can't make it, but they can use it. So they have to find one that is already created. (L) Is that possible? (A) Operated by consciousness. (L)They said tuned not operated. First of all we want to ask whether they mean tuned as in tuned when it was created or as tuned as in using. (A) There is this scenario that they will wait until the STO guy will find it and tune it, and still only then they will jump on 'em. (L) Right. Do you mean tuned as in the tuning of the creation or the tuning of the operation?
A: Creation.
Q: (A) Okay. Once it is tuned, it is tuned, right? (R) Yeah. And if it was similar to our simulation then tuning is done by exposing it to similar frequencies. (L) Or maybe assembling it by virtue of frequencies that are produced. But it still needs to be established whether or not they can see it. So we have theorized that the reason they can't find it, the only reason we can see for why they can't find it, is because for some reason it is protected by frequency or something and that they don't know where it is either. Is this correct?
A: Mostly. They have a general idea.
Q: What specifically prevents them from isolating the exact spot and getting it?
A: Occlusion.
Q: (A) What is occlusion? (R) I think that's similar to ...
A: Frequency fence.
Q: (R) Which is similar to what we've been talking about. If you don't have the same frequency it's ... (L) Or they can set a frequency around it that these guys can't tune to and can't penetrate. (R) It becomes invisible in some sense. (L) But they can still in some way detect a region or something. But it can be like noise or something maybe; so much noise that they can't isolate the signal. Is this the reason these people keep coming after us, because they want us to help them find this thing? Is this the reason?
A: More or less. Though not the only one.

Q: [..] (R) I was wondering about the possible positive uses of the device?
A: Multiple. In ancient times this object was called the Gift of God. It was used to aid in the manifestation of all things needful for existence.
Q: (A) Manifestation? (R) That sounds like Merkabah. The Matriarch Stone. The Mother Stone. (A) So it can do all kinds of things ... (R) Is this the Merkabah?
A: Mother Stone, yes.
Q: (R) So that's it! This is the real meaning of the Merkabah. Pretty neat. And there is only one of these available. This puts a very strange aspect on all this. (L) Where was it created?
A: Kantek.
Q: Was this what was used to help transport the Kantekkians to Earth at the time of the destruction of their planet?
A: Some of them. Others transported by Lizards.