http://www.newsday.com/entertainment/music/ny-pinkfloyd0914,0,1063798.story?coll=ny-music-headlines
(NOTE: this is reportedly a snapshot of the pig - uncomfirmed) If it is in fact a snapshot of the pig used by Waters then he obviously doesn't "get it."
Waters' Floyd 'tribute' band
BY IRA ROBBINS
Special to Newsday
In addition to the gray hair, wrinkles and hearing loss, rock old-timers have lately had to face another humiliation: the decline of albums as the music's basic currency. So the anachronism was squared Tuesday night when Pink Floyd co-founder Roger Waters -- looking all of his 62 years -- performed the 34-year-old "Dark Side of the Moon" as the centerpiece of an ambitiously staged and provocative three-hour show at Madison Square Garden.
If any piece of rock music is proof of the album's place in popular culture, "Dark Side" is surely it. Released in 1973 by an English quartet with a solid following of headphone-wearing potheads, it has sold 40 million copies worldwide and elevated Floyd to the all-time pantheon of British rock on the strength of bassist/singer/social critic Waters' strong lyrics and David Gilmour's formidable guitar playing, all served up with demonstration-disc clarity.
Gilmour was not on hand Tuesday, but two skilled copyists of his chilly precision were, along with Floyd drummer Nick Mason and eight other backing musicians. With Waters resting his voice (which was lacking some of its usual authority) on several of the songs and ceding the singing to keyboardist-guitarist Jon Carin, guitarist Dave Kilminster and three female backups, the ensemble at times suggested an enormously skilled Pink Floyd tribute band joined by the genuine article's rhythm section. The line that demarks authenticity in such things has gotten progressively harder to spot, but as a note-for-note re-creation, this was as good as it could possibly get, and makes the band's original studio achievement seem all the more impressive by the cast required to bring it back to life. The instrumental "On the Run," one of Floyd's last excursions into space psychedelia, was especially thrilling live -- loud, rich with interwoven electronic noises melodies and disorienting rhythms ricocheting around the Garden -- but the familiar vocal numbers ("Money," "Breathe in the Air," "Us and Them," "Time") were also carefully and enthusiastically presented.
As expected from inveterate art-school rocker Waters, the show made excellent use of imaginative film and featured a floating astronaut spacewalker (to accompany "Perfect Sense," from Waters' solo career) and the Floyd-standard pig, which sailed over the seats during "Sheep," painted with such slogans as "impeach Bush now."
Waters' political opinions -- and courage, in taking what could be seen as a foreigner's unwelcome intrusion by those who paid $174.50 to be entertained -- were pressed even more forcefully in "Leaving Beirut," which was simultaneously presented as music and as a comic book projected above the stage. Inspired by the kindness a Lebanese family showed Waters as a teenage tourist in 1961, the song bluntly attacks George W. Bush and Tony Blair and asks (about the Lebanese, not the leaders), "Are these the people that we should bomb / Are we so sure they mean us harm?" If it was more effective as a comic book than a clumsy and not very tuneful song, the boos that mingled with the applause when it was done proved Waters' mettle in making the effort.
(NOTE: this is reportedly a snapshot of the pig - uncomfirmed) If it is in fact a snapshot of the pig used by Waters then he obviously doesn't "get it."