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It
is clear that if I had not (most likely) fried my computer by getting
upset, I would not have read Zelator
before posting the current pages. And I would not have fully understood
exactly what it was I was doing or why. So, once again, the efforts
of the Control System to do damage ended up doing just the opposite.
We are handed lemons and we make lemonade.
I
had wept. I had dried my tears and decided that it didn't matter if
I was an object of attack and ridicule and cruelty. I would continue.
But even with this commitment, there was the question: Why? Is anything
I am doing worthwhile?
And
there was the book. Sitting there on the stack. I had gotten up to resume
my labor, knowing only that it was what I was committed to do; but not
really knowing why. And the computer would not work, and there was the
book.
I
began to read, and as I read, I understood. And I felt the care and
comfort of the Vast and limitless Universe reaching out hands to dry
my tears and send me words that told me what I needed to know.
Zelator
is a book written by a man, Mark Hedsel, who was a seeker on what
is known in arcane parlance as the Way of the Fool. The Way of the Fool
is, apparently, an initiatory path of those who set out on their own
and, from time to time, encounter a teacher who they interact with for
a period, and then move on. As David Ovason, Mark Hedsel's "scribe"
describes it:
The
Way of the Fool is the way of the independent traveler on he Path
of Initiation. Such a traveler may study under a variety of masters,
yet will strive always to preserve his or her own identity and rarely
undertakes vows of silence which will bind him or her to a particular
school or teaching.
The
most enduring arcane image of this wandering Fool is that found on
the early Tarot cards... [Hedsel,
2000]
In
the monastery of Santa-Maria-la-Real, Najer, La Rioja, there is a 15th
century carving of a fool. He has two dogs at his feet similar to the
Fool in the Tarot deck. But, the interesting thing about him, as Mr.
Hedsel points out, is that he wears a robe which is so designed as to
fall open at both front and back. In this way, his private parts are
always visible. He is a "naked fool."
His nakedness
is a sign that the true Fool is prepared to show those things which
others prefer to hide. Those Fools who show the way to that higher
vision arising from initiation are often seen by the Sleepers as Foolish.
(The Sleepers are those who have not elected to follow a spiritual
path. They are content with the realm of appearances, and want only
to be left alone, to sleep.)
...A
man or woman's life reveals the archetypes they have followed. That's
why the Fool is prepared to go through life naked to the world, knowing
that the lower is nothing more than a reflection of the higher....
The Fool
progresses only by means of the questions he asks...
A Teacher
can indicate the Way, but he cannot show the Way. There are the two
Ways - the Way Up and the Way Down - and among the ways up is the
Way of the Fool. The zero marks the intersection between the Way Up
and the Way down, where there is neither Up nor Down.
...To
what purpose, we must ask, would anyone wish to follow the Way of
the Fool? It is no easy role to play. The Way of the Fool is so open
to misunderstanding and mockery. To the casual glance - which is the
glance of most people - it does not even appear to be a Way at all.
...Yet there is such a Way, even if it is only one followed by men
and women striving to establish a Spiritual identity for themselves,
divested of outer trappings. On this way, the Fool is sensitive to
symbols. Indeed, if the Fool is alert enough, sufficiently progressed
along the Path, then everything becomes a symbol....
The keyword
for all the Paths is commitment. ...When you have committed yourself
to an action, then the whole cosmos will conspire to help you. ...The
cosmos recognizes commitment, which is in itself a kind of prayer.
If you commit yourself, then you will find that the angels are ranged
on your side. ...Make a commitment. Remember it. Stick to it. And
if you choose the Way of the Fool, do not fear appearing to be a Fool
in the eyes of the world, for you do not stray too far from the ancient
road, in the eyes of God, you will always remain the beloved......
Yet,
this is certainly no mystical injunction to forget the world. The
hermeticist is trained never to forget the world - as it is his or
her forging ground. The hermeticist is ever prepared to burn in exchange
for gnosis, or to peel away the onion which wrap up the world's Mysteries
and himself.
...For
every faltering step taken by Man, God in His Stillness bounds towards
Man a hundred steps.
...Initiation
is an art, a Spiritual performance which can last a lifetime, and
then pour into subsequent lifetimes. ...There is only one complete
initiation for one who dwells in the body. Then, at that marvelous
moment of initiated insight, you will see that life itself is art:
it is the art of the gods. The art of Man merely reflects the shadow
of this creative exuberance. Initiation is the ultimate art of the
gods, practised with more or less imperfection by men.
...The
Fool is prepared to reveal more than ordinary people, if only to lay
bare the basic structure of the Spiritual world. [Hedsel,
2000]
Zelator
devotes some considerable discussion to an 11 house zodiac that was
found in the Sagrada di San Michele which overlooks the Val di Susa.
Even though we are not going to go into that subject in any detail,
I would like to include some of the remarks about this curious thing
here:
The climb
to the first courtyard is by way of a flight of steps called the Scala
dei Morti, the Staircase of the Dead. There are tombs near the bottom,
but at the top is an archway set with images of the stars: the stairs
are a parable of Spiritual ascent from Earthly death to stellar life.
The symbolism is simple and perfect, yet it was not quite the symbolism
intended by the architects. The archway was translated to this place
some centuries after the monastery was built: it was carried, stone
by stone, from the baptistry, which had once been outside the monastic
enclave, and which is now all but destroyed. The bas-relief images
of the stars, through which one must pass to gain access to the monastery,
are among the most fascinating in Europe. They probably date back
to the 11th century, and show signs of being derived from Arabic astrological
lore.
[Note:
The rich astrological tradition of the Arabs was funneled, by way
of translations, into Europe from as early as the 10th century, but
did not reach its full momentum until the 11th and 12th centuries.
It was at this time that astrological symbols were assimilated into
Christian architecture. See, for example, F. Gettings, The
Secret Zodiac. The Hidden Art in Mediaeval Astrology,
1987]
...To
the left of the portal are 11 images of the zodiacal constellations.
There are 11, rather than the statutory 12, because Scorpius and Libra
are merged as one, in the image of a scorpion grasping in its chelae,
or claws, the balance of Libra. In this form, the ancient Greek images
of the zodiac were manumitted from the writings of the Alexandrian-Roman
astronomer, Ptolemy, to the architects of the first Romanesque cathedrals.
[Hedsel, 2000]
Yes, you
read right: manumitted.
My first
thought about the use of this word was that the guy made an error. Or
somebody made an error. In fact, I was entirely prepared for this book
to be a complete waste of my time. I was not only prepared for it to
be a waste, I expected it!
But there
was that word.
There were
several exchanges with the Cassiopaeans and myself on the subject back
in 1997:
Q: Okay.
Now, next question: I understand that Libra was added to the zodiac
and broke Scorpio and Virgo apart. Were there originally 10 or 11
signs in the zodiac?
A: Originally?
Q: You know what I mean!
A: There have been many combinations.
Q: Well, when did the present 12 sign zodiac begin to be established
as it is?
A: 1302 AD
Q: And how many signs were there before that?
A: 11
Q: That's what I thought. What is the source of the oldest zodiac
available to us?
A: Atlantis.
Q: Well, fine, what is the oldest extant source in terms of writings?
A: Egypt.
It is important
to note the specificity of the questions and answers. The date is given
in response to a specific inquiry that includes the qualifier "as
it is." Further, the Cassiopaeans are not saying that an 11 house
zodiac is the right one, merely that it is one of many.
Now, there
is more to this than meets the eye, so have a look at the following:
Q:
(L) Does the Catholic church have in its possession actual original
texts of the Bible that have not been corrupted?
A: No.
Q: (L) Were there ever such texts in existence?
A: No.
Q: (L) Who wrote the book of Matthew?
A: Greek enforcers.
Q: (L) What are Greek enforcers?
A: Like your FBI.
Q: (L) Who wrote the book of Mark?
A: Same.
Q: (L) Luke and John?
A: Same.
Q: (L) Acts?
A: Same.
Q: (L) Are any books of the New Testament written by who they claim
to be written by?
A: No. Remember this is 70% propaganda.
Q: (L) Is 30% then the truth or the actual teachings?
A: Close enough. You must decipher from instinct through meditation.
Well, doesn't
that just dip your cookies? Greek Enforcers? FBI?
Not long
after this, I was reading Edith Hamilton's Mythology.
Something she wrote struck me quite forcibly:
Greek
and Roman mythology is quite generally supposed to show us the way
the human race thought and felt untold ages ago. Through it, according
to this view, we can retrace the path from civilized man who lives
so far from nature, to man who lived in close companionship with nature;
and the real interest of the myths is that they lead us back to a
time when the world was young and people had a connection with the
earth, with trees and seas and flowers and hills, unlike anything
we ourselves can feel. When the stories were being shaped, we are
given to understand, little distinction had as yet been made between
the real and the unreal.
...But
a very brief consideration of the ways of uncivilized peoples everywhere
and in all ages is enough to prick that romantic bubble. Nothing is
clearer than the fact that primitive man, whether in New Guinea today
or eons ago in the prehistoric wilderness, is not and never has been
a creature who peoples his world with bright fancies and lovely visions.
Horrors lurked in the primeval forest, not nymphs and naiads. Terror
lived there, with its close attendant, Magic, and its most common
defense, Human Sacrifice. Mankind's chief hope of escaping the wrath
of whatever divinities were then abroad lay in some magical rite,
senseless but powerful, or in some offering made at the cost of pain
and grief.
This
dark picture is worlds apart from the stories of classical mythology.
...We
do not know when these stories were first told in their present shape;
but whenever it was, primitive life had been left far behind. The
myths as we have them were the creation of great poets. ...The
tales of Greek mythology do not throw any clear light upon what early
mankind was like. They do throw an abundance of light upon what early
Greeks were like ...[we] are their descendants intellectually,
artistically, and politically, too. Nothing we learn about them is
alien to ourselves.
People
often speak of the "Greek Miracle." What the phrase tries
to express is the new birth of the world, with the awakening of Greece.
"Old things are passed away; behold, all things are become new."
Something like that happened in Greece. Why it happened, or when,
we have no idea at all. We know only that in the earliest Greek poets
a new point of view dawned, never dreamed of in the world before them,
but never to leave the world after them. With the coming forward
of Greece, mankind became the center of the universe, the most
important thing in it. This was a revolution in thought. Human beings
had counted for little heretofore. In Greece man first realized what
mankind was.
The Greeks
made their gods in their own image. That had not entered the mind
of man before. Until then, gods had had no semblance of reality.
They were unlike all living things. In Egypt, a towering colossus
...A woman with a cat's head suggesting inflexible, inhuman cruelty.
Or a monstrous mysterious sphinx, aloof from all that lives. In Mesopotamia,
bas-reliefs of bestial shapes unlike any beast ever known, men with
bird's heads and lions with bull's heads and both with eagles' wings...
...These
and their like were what the pre-Greek world worshiped. One need only
place beside them ...any Greek statue of a god, so normal and natural
with all its beauty, to perceive what a new idea had come into the
world. With its coming, the universe became rational.
...In
Greece alone in the ancient world people were preoccupied with
the visible; they were finding the satisfaction of their desires
in what was actually in the world around them.
...Human
gods naturally made heaven a pleasantly familiar place. The Greeks
felt at home in it. ...That is the miracle of Greek mythology - a
humanized world, men freed from the paralyzing fear of an omnipotent
Unknown. The terrifying incomprehensibilities which were worshiped
elsewhere, and the fearsome spirits with which earth, air and sea
swarmed, were banned from Greece. ...No matter how wild and
fantastic the stories are, anyone who reads them with attention discovers
that even the most nonsensical take place in a world which is essentially
rational and matter-of-fact. Hercules, whose life was one long combat
against preposterous monsters, is always said to have had his home
in the city of Thebes. The exact spot where Aphrodite was born of
the foam could be visited by any ancient tourist; the winged steed
Pegasus, after skimming the air all day, went every night to a comfortable
stable in Corinth. ...If the mixture seems childish, consider how
reassuring and how sensible the solid background is...
The terrifying
irrational has no place in classical mythology. Magic, so powerful
in the world before and after Greece, is almost nonexistent. There
are no men and only two women with dreadful, supernatural powers.
The demoniac wizards and the hideous old witches who haunted Europe
and America, too, up to quite recent years, play no part at all in
the stories. Circe and Medea are the only witches and they are young
and of surpassing beauty - delightful, not horrible.
Astrology,
which has flourished from the days of ancient Babylon down to today,
is completely absent from classical Greece. There are many stories
about the stars, but not a trace of the idea that they influence men's
lives. Astronomy is what the Greek mind made out of the stars. Not
a single story has a magical priest who is terribly to be feared...
The world of Greek mythology was not a place of terror for the human
spirit. It is true that the gods were disconcertingly incalculable.
One could never tell where Zeus's thunderbolt would strike. Nevertheless,
the whole divine company, with a few and for the most part not important
exceptions, were entrancingly beautiful with a human beauty, and nothing
humanly beautiful is really terrifying. The early Greek mythologists
transformed a world full of fear into a world full of beauty.
...This
bright picture has its dark spots...The change came about slowly and
was never quite completed. The gods-who-became-human were for a long
time a very slight improvement upon their worshipers. They were incomparably
lovelier and more powerful, and they were of course immortal; but
they often acted in a way no decent man or woman would. ...There are
traces of a time when there were beast gods. The satyrs... the centaurs...
There are also stories that point back clearly to a time when there
was human sacrifice. ...The mythical monster is present in any number
of shapes... but they are there only to give the hero his meed of
glory. What could a hero do in a world without them? They are always
overcome by him.
But
what is astonishing is not that bits of savage belief were left here
and there. The strange thing is that they are so few. [Hamilton,
1942]
When
I read the above, I got chills and the hair stood up on my arms. I understood
that I was in the presence of a significant mystery. The main thing I
was interested in was the reference to astrology. Since most of our "astrological
signs" are representations of Greek mythology, how could it be that
they, themselves, did not practice astrology? This was a serious discontinuity
in history. There was the practice of astrology BEFORE the Greeks, and
AFTER the Greeks. And, in fact, the whole Greek pantheon was adopted.
What's the deal here? I decided to ask the Cassiopaeans:
Q: Why
was astrology absent from the myths of ancient Greece?
A: Not absent, "Stalinized."
Q: What does that mean?
A: Soviets removed Stalin from the history books when he fell from
popularity. So, Greeks, Astrology... "Stalinized"...
Q: Why?
A: Deadly secrets would be revealed.
Q: Revealed to whom?
A: You. [My take on this is not just me, personally, but humanity.]
Q: If we could find the pieces and put them together, they would show
us the drama and the connection between 3rd and 4th density?
A: You would have to use the original astrology, before cosmic
changes of a planetary nature; there was no Venus, for one example,
and earth was oriented differently axially speaking.
Q: And the destruction of Kantek. This was a whitewash, the writings
of Homer and so forth were put in place... is there any source where
we can get closer to these myths that will help us to figure out who
is REALLY on first?
A: Check the Isle of Man.
Q: You once said that the Bible was written by Greek enforcers, and
now you have just said that the myths were Stalinized. It also struck
me that there were no ghosts or spirits in the Greek texts. These
texts portray the Greeks as worshippers of the physical world. They
were astonished at Pythagoras' belief in reincarnation...
A: You have been reading altered texts.
Q: Well, I know that. I have copies of some of the oldest known documents
on the planet. Where am I going to get something that is remotely
accurate?
A: The Hague.
Q: Where did these Greek Enforcers come from?
A: Order of Thelon.
Q: Never heard of it. On another occasion you called the Nephilim
'enforcers.' Is there any relation between this order of Thelon and
the Nephilim?
A: Maybe...
Q: Where is the headquarters of this group?
A: Sicinthos.
Q: Is that a place? Never heard of it.
A: Yes.
The above
excerpt was published in a previous segment of the Wave Series and elicited
some interesting information from an Italian reader:
Where
is Sicinthos? This word recalled in my mind something I studied at
the Liceo: the poet Ugo Foscolo, born in Zante or Zacinto, the Italian
word for the Greek island Zàkynthos. A 400 square KM island in the
Ionio sea, north-west from the Peloponneso Greek peninsula. In ancient
history this is the first known "Achei" colony and then an Athens
colony in 455 B.C.
In the
legend, the first man on that island was Zacinto, son of Dardano (Dardanus?).
Achei people seem to have founded a colony also in northern Spain,
at Sagunto (maybe that little town called Sahagun south-east of Leon).
Zakynthos
and Sicyon were Achaeans colonies. Perseus was an Achaean and Dardanus,
Zacinto's father, was known in the Greek mythology, as a "religious
civilizator" and the alleged "Greek Enforcers" have something to do
with religion too. He was born in Toscana, Italy (ancient Etruria),
in Cortona, an Etruscan city. He found the Palladium, Samotracia's
mysteries and goddess Cyibele cults. He was the king of the Dardanians
and the city of Troy (Troia). In Homer's Iliade the Achaeans were
fighting against Troians. The Spanish colony Sagunto was the ancient
Zakantha... The Palladiums were supposed to have been 3 cube like
objects made of wood that had fallen from the sky. They were lucky
objects and there were many in the Greek myths. Robert Graves in Greek
Myths writes: (quote/translated) -
"Also Zacinto received a Palladium after a prayer to Zeus."
I can't
find anything about "The Order Of Thelon"...But maybe it's all buried
and decomposed from a long time... Don't know about Scythia. Maybe
the Sciiti had a link with Troy and Dardanus people?
Maybe
all the known civilizations are linked to Scythia and so to Sumer
and Mesopotamia, but I always keep in mind the fact that the C's answer
related principally to Greece...the final phoneme "thos" of Sicinthos
is typical of the Greek vocabulary and their answer related principally
to that "Greek Enforcers" issue. ...The root SIK, SIC seems to mean
growing, fertility, prosperity. Sicily was the land of fertility according
to Carl(o) Pascal studies. [LKJ, Personal correspondence, 2000]
Well,
that was very interesting, and something of a clue, because there are
some dynamic connections to later clues, but I plan to get into all that
at a later point. Now, going back to our Zelator, remember the most interesting
remark:
...To
the left of the portal are 11 images of the zodiacal constellations.
There are 11, rather than the statutory 12, because Scorpius and Libra
are merged as one, in the image of a scorpion grasping in its chelae,
or claws, the balance of Libra. In this form, the ancient Greek
images of the zodiac were manumitted from the writings of the Alexandrian-Roman
astronomer, Ptolemy, to the architects of the first Romanesque
cathedrals. [Hedsel, 2000]
To "manumit"
means to "set free." In specific, it means "to let go
from the hand, to free from slavery."
Claudius
Ptolemaeus was a celebrated 2nd century AD Greco-Egyptian mathematician,
astronomer, and geographer of the Roman dominated world. He made his
observations in Alexandria and was the last great astronomer of ancient
times. "He systematized and recorded the data and doctrines that
were known to Alexandrian men of science. ...The mathematical and astronomical
systems developed by the Greeks are contained in his 113 volume work,
Almagest.
With credit to Hipparchus as his chief authority..." [Columbia
Encyclopedia]
And, while
I am on the subject of Greeks named Ptolemy, I ought to mention that
Ptolemy II, or Ptolemy Philadelphus, the Greek king of Egypt from 285
to 246 B.C., "continued his father's efforts to make Alexandria
the cultural center of the Greek world. He encouraged the translation
of the Pentateuch into the Greek Septuagint." [Columbia Encyclopedia]
So we see a VERY early connection of the Greeks to the "Control
System" of monotheism. Maybe what the Cassiopaeans were saying
wasn't so crazy after all.
But, even
more than the idea of just "setting free" the images of the
zodiac from the writings of Ptolemy, there is another idea suggested
in this remark about "manumission" - the curious use of this
particular word that relates specifically to hands that I had already
thought about, and which we had discussed with the Cassiopaeans:
Q: In
reading the transcripts, I came across a reference to a 'pact' made
by a group of STS individuals, and it was called 'Rosteem,' and that
this was the origin of the Rosicrucians. In the book 'The
Orion Mystery,' it talks about the fact that Giza was
formerly known as RosTau, which is 'Rose Cross.' Essentially, I would
like to understand the symbology of the Rose affixed to the Cross.
It seems to me that the imagery of Jesus nailed to the Cross is actually
the Rose affixed to the Cross. How does Jesus relate to the Rose?
A: No, it is from the Rose arose the Cross.
Q: What does the cross symbolize?
A: The symbology is not the issue. It is the effect.
Q: What is the effect of the cross?
A: All that has followed it.
Q: In the same vein, I have noticed that there are two classes of
arachnids. There are scorpions and there are spiders. The zodiac
was changed by taking the pincers away from the Scorpion and creating
out of them the sign of Libra. This image was one of a woman holding
a balance scales, usually blindfolded. This was done within
recorded history, but was probably formalized through the occult traditions
of Kaballah. Now, in trying to figure out who has on what color hat,
if there is such a thing, I have come to a tentative conclusion that
the spider, or spinner of webs, is the Rosicrucian encampment, and
that the Scorpion represents the seeker of wisdom... because, in fact,
the word for Scorpio comes from the same root as that which means
to pierce or unveil. Therefore, the Scorpion is also Perseus, per
Ziu, or 'for God.' And the Rosicrucians are the 'other,' so to speak.
Can you elaborate on this for me? Or comment?
A: What a tangled web we spin, when we must not let you in.
Q: So, the Rose is the Spider?
A: Different objective.
Q: So, the Rose, with its thorns... can you help me with this Rose
image... is the Rose the Scorpion?
A: No. Different objective... Rose is a stand alone symbol.
Q: So, the Rose can be used by either side, is that it?
A: Maybe.
Q: Another derivation of the word root of Scorpio is 'skopos,' or
'to see.' You said that the human race was seeded on a planet in the
constellation Scorpio, and, therefore, when the zodiac was set up
and the clues were laid out, it seems to me that the insertion
of the sign of Libra was designed to take power away from human beings,
to take their hands away, to prevent them from seeing, to make
them defenseless. Is this imagery close?
A: On track.
Am I crazy
to see in this message in Zelator
something that is being "guided?" I looked at the
passage again: "the image of a scorpion grasping in its chelae,
or claws, the balance of Libra. In this form, the ancient Greek images
of the zodiac were manumitted..."
Why use
the term "chelae" in addition to "claws?"
Chelae
means "claws," so it is redundant. So, not only do we have
a word that doesn't "fit," in the term "manumitted,"
which means to set free from the hands, we have a redundancy in the
same paragraph; and both in a book that is exceptionally grammatical
and precise in terminology.
What else
do we know about "chelae?" Well, it is related to "chelate"
and that is a chemical compound resembling or having "chelae."
That is the central atom - usually a metal ion - is attached
to neighboring atoms by at least two bonds in such a way as to form
a ring structure. It is also to cause a metal ion to react with
another molecule to form a chelate.
Well, there
is more about this issue of Scorpio having no hands:
Q:
(L) Well, then how did mankind come to be here?
A: Combination of factors. Numerous souls desired physical existence
then was altered by three forces including principally Lizards through
Grays, Nephalim and Orion union.
Q: (L) Tell us again who are the Nephilim?
A: Enforcers. Slaves of Orion. From Planet 3C, or 3rd star, 3rd planet.
Q: (L) You said the other night that the Nephilim came from some area
around the constellation Scorpio, is that correct?
A: Originally seeded there but you were too.
Q: (L) We were originally seeded somewhere else? Where? Orion? What
is the name of that planet?
A: D'Ankhiar. Ankh is ancient symbolism of this planet. Is female symbol.
Stands for mother planet. [Which suggests that this is the source of
all human mitochondrial DNA.]
Q: (L)
You indicated that we should study the legend of Orion, and I looked
it up in several sources, and basically the legend is of the perfect
man, who fell in love with a woman, and her jealous father caused
him to be blinded. The only cure was to gaze at the light, the goddess
Aurora, to regain his sight. Can you tell us how this relates to the
idea that Orion was the indigenous home of humans?
A: It is up to you to look for answers.
Q: (L) There was an interesting reference in one of the books I was
reading of the relationship of Orion to Scorpio, that Orion's bow
is drawn at Scorpio. And, at one other point, you said that the physical
bodies of mankind were molecularized, and ARE being molecularized,
on a planet called D'Ankhiar, which is in the constellation Scorpio.
A: Yes.
Q: (L) What is the relationship of Orion to Scorpio? The Orion "bad
guys," shooting at Scorpio which is the place of origin of the physical
manifestation of the human race...
A: Bad guys?
Q: (L) Forget I said bad guys. "Shooting at Scorpio." Is there any
relationship, symbolically, to the fact that the human bodies...
A: It is all interrelated.
Regarding
the 11 house zodiac that he had discovered in the Val di Susa, Mark Hedsel
adds:
To the
right of the portal are 15 [3 X 5!] images of the constellations.
Most of them are named on the marble in a lapidary script. As sculptural
images, these may well be unique in European lapidary art. Perhaps
the architect had them copied from and Arabic edition of the Phaenomena
- a poem about the constellations - of the third-century BC poet,
Aratus. The original manuscript prototype drawings seem to be lost,
but there is no doubt that these bas-reliefs may be traced back into
the loam of classical antiquity
[Note:
The constellation names on the bas-reliefs are: Aquila, Delfinus,
Pegasus, Deltoton, Orion, Lepus, Canis, Anticanis, Pistrix, Eridanus,
Centaurus, Cetus, Nothius, Ara and Hidra. See: Giovanni Gaddo, La
Sacra di San Michele in Val di Susa, 1977]
...We
rarely met anyone with whom we could discuss the arcane symbols, or
the esoteric ideas they embodied. ...Few seemed to be interested in
the cosmic images of the archway, and none I met ever had the slightest
intimation of the challenge they offered. This was not surprising:
the symbols were designed by a Masonic Mystery School, and exhibited
an arcane knowledge which removed them from the understanding even
of scholars.
...We
had put a great deal of our time into the study of the astrological
images in the Sagrada, but we could find no answers to the important
questions which they raised in our soul. We could not find out why,
or for what purpose, these images had been carved, and why they were
not all absorbed into the artistic repertoire of Romanesque architecture.
These images of the constellations were not found in other monasteries,
churches or cathedrals: they seemed to be unique to the Sagrada.
No Romanesque
architect seems to have seen the arcane implications in these images
of the stars, and, as a consequence, these constellation images seem
to have been lost to the stonemasons of the West. Few, if any, European
specialists had studied these images, and there was a dearth of scholarly
material dealing with them. The only possible clue was ...the tantalizing
manuscript in a secret code.
In our
search for the origins of these images, we had found, hidden in the
archives of the Vatican Library, a single manuscript which seemed
to illuminate our search. It was a document which confirmed the name
of the sculptor as Nicholas.
...It
was clear that this Nicholas had been an initiate, for the whole arrangement
of the cosmic images - albeit no longer in their original setting
- was redolent with esoteric symbolism and power.
...In
the manuscript which confirmed his name was a long an enigmatic sentence
in mediaeval dog-Latin, which we could just about read, yet not grasp
its inner meaning. The text seemed to encode something which defied
our understanding.
[Note:
The uneasy dog-Latin, with its alchemical, astrological and even cabbalistic
undertones reads: Dilexi secreta loca qui in arbore erant hostic
factus est luminosus lapis cibus ante animalis et recedens de suprema
rami arbor radicibus evulsa in terra quod ita domus ipsa fumabat]
[Hedsel, 2000]
Now, the
point I want to make here is that this book, published just last year,
came to me because the issue of the 11 house zodiac was published on
the website. Someone had read it and mentioned it. At that particular
time, the drama described above began to manifest which not only distracted
my attention from following this clue, but almost brought the whole
project to a halt.
But, the
fact is, even if the distractions were an overt attempt to distract
and stop me, what actually happened was that affairs were "arranged"
so that I was diverted at this crucial point to read this book "out
of sequence." In reading the book, I found many passages that spoke
directly to ME; the most astounding of which is this discussion of 11
the 11 house zodiac. And I find it difficult to believe that there are
a lot of people on the planet thinking about 11 house zodiacs in the
terms I have described above; most specifically who have the idea that
there is some powerful symbolism in the addition of the sign of Libra;
and that, contrary to what may seem to be the case, that Libra - with
its blinded eyes so similar to the god Orion - is really a clue to the
Control System that dominates mankind, which was known in the ancient
past, and which knowledge was "Stalinized" by "Greek
Enforcers."
In our
most recent session with the Cassiopaeans, on January 6th, the subject
of the "Moon" was reiterated over and over again. Curiously,
this was just a day or so after Ark had written his response to the
Egroup member about Gurdjieff's description of the Control System as
being the fact that humans are "food for the Moon."
As it happened,
the subject of the Moon was also brought up repeatedly in Zelator,
and I was beginning to wonder what was the big deal with the Moon?
Going back
a bit, let me remind the reader that we began by asking some questions
about the Shepherds of Arcadia, and the symbolism of Rennes-le-Chateau.
After I had published this page, I received an email from a reader with
whom I have corresponded for a period, and who describes experiences
that lead me to believe that she is one of those who is "suffering"
a lot of cognitive dissonance due to her own ability to perceive glimpses
of 4th density. She wrote:
I just
read the wave 13b. Interesting stuff.
This
is regarding the 'treasure of Rennes le chateau'.
I have
a few friends who are occultists whom I respect. One day one I was
talking with one of them; he'd just been on a visit to the 'Winchester
Mystery House' ... I think. this house is a weird house built by Sarah
Winchester (of Winchester Rifles), supposedly on the advice of a psychic
or something.
Well,
my friend thought that that story was made up, was a 'cover story'
to explain why Sarah W had built such a strange house. He thought
that in reality, the house was built to be a 'memory palace'. Not
knowing what this was, I asked my friend. Apparently a 'memory palace'
(and I guess this is esoteric but known among those who know esoteric
stuff, hah, like students of the occult) is a *physical building*
that functions as a sort of a 'database' in *physical matter*.
A memory
palace is supposed to, apparently, 'mimic' in physical matter, the
structure of the mind of the person who builds it. The idea, I suppose,
is that the person can then enter into the building and call up memories
by handling or looking at/etc. the things in the palace. The things
in the 'memory palace' supposedly *trigger* something within the mind...
What
exactly can it trigger within that mind? I don't know... I guess these
structures could be constructed to do different things?
Now,
could Rennes Le Chateau be a 'memory palace' of some sort? It could
be that it is constructed to 'work with' a particular kind of mind...
a mind that is of a certain bloodline, or 'soul-line' (I am thinking
that some humans actually *do* have, in addition to their physical
parents, *non-physical* parents who provide the 'genetics' (speaking
metaphorically here) for the *non-physical* bodies (the etheric bodies,
etc.) of these people.
So...
it could be that when a person of this certain physical and/or non-physical
'genetic line' stood within Rennes Le Chateau, it would 'trigger'
something within their mind... trigger *what*? A process of transformation?
Memories...? I don't know. A particular reaction on the part of someone
visiting this place, Rennes Le Chateau, might even 'mark' them as
one of this 'genetic line'. *This* might be the secret and the treasure
of Rennes Le Chateau - that it is a kind of 'transformation structure'
or something.
Also:
I have had intuitions that there are certain women in the world...
who have a consciousness of a particular type that can be used to
influence the world around them by unscrupulous 'black ship' (the
term that I use for those you'd probably call 'lizards') beings.
They
may have particular and very interesting abilities that would certinaly
be of interest to anyone who wants to engage in manipulation of the
masses. Are these women of the 'genetic type' (both physical and non-physical)
that *used* to incarnate in the Jesus/Mary bloodline? Rennes Le Chateau
may have something to do with this as well, maybe.
Also:
I had a kind of 'waking dream' that somebody told me, regarding the
'Bloodline of the Holy Grail', this: that yeah, there is such a bloodline
and some royal families may be part of it, *but* the 'soul families'
that *used* to incarnate into that *physical line*, really no longer
do anymore.
As a result
of my research into the Rennes-le-Chateau matter, which brought up the
Shepherds of Arcadia issue, (and I have a lot more material on this
that I AM trying to get to, but I keep getting sidetracked here), I
came across a book by Elizabeth Van Buren entitled Rennes-le-Chateau:
Refuge of the Apocalypse.
Now, remember,
my off-the-wall question about Oak Island led to the subject of alchemy
and Fulcanelli. The questions about Jesus led to the Rennes-le-Chateau
matter. I found that all three of them converged into the word "Arcadia."
Oak Island is in the area that was formerly called Arcadia; the Rennes-le-Chateau
matter circled around a painting with that word in the title. Fulcanelli
was an alchemist who, it was claimed, was last seen in the Pyrenees,
and Rennes-le-Chateau is in the foothills of the Pyrenees. The Templars
were connected to Rennes-le-Chateau, and when the Templars were supposed
to have been destroyed, the Rosicrucians all of a sudden appeared. It
was rumored that it was no coincidence. Alchemy was supposedly brought
to Europe from the Arabs, and the Templars had a long relationship with
Arab potentates and affairs, so were, by deduction, associated with
alchemy. And, the alchemical lore of the Rosicrucians is legendary.
Well, all
of these are clues, but none of them tell us "who's on first?"
So, here
is Elizabeth Van Buren writing about Rennes-le-Chateau, and she weaves
all through her book remarks about Fulcanelli. Not only that, she has
ideas very similar to my own about "dimensional doorways"
and the "true Ark."
Nevertheless,
the fact still remains that the truly "secret schools," if
they exist, guard their secrets carefully. And it is not likely that
they would reveal a relationship to hyperdimensional beings IF they
had made vows of secrecy as the Cassiopaeans have defined it:
Lord
of Serpent promises its followers infinite power which they must seek
infinite knowledge to gain, for which they pledge allegiance infinitely,
which they possess for all eternity, so long as they find infinite
wisdom, for which they search for all infinity. ...And therein you
have the deception! Remember, those who seek to serve self with supreme
power, are doomed only to serve others who seek to serve self, and
can only see that which they want to see.
So, the
fact remains that IF the Cassiopaeans are giving out information that
is clearly related to these "secrets of initiation," that
some credence may be thought to lie in the wider scope of their information
regarding the "Control System."
No matter
where you stand, no matter in what direction you look, you find the
web of the spider. It doesn't matter if you start with metaphysics,
if you freely follow the tracks, you may end up in paleontology, or
astrophysics or psychiatry or mythology or geology... and on and on.
There is no element of human culture that has not been manipulated in
order to trap and feed.
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